Alhambra Live Magazine

GOTH INTERVIEWS & MORE

 

 

Another Tale’s sound evolution – less keyboards, more guitars

September 2, 2023


We’re about to migrate interviews over from deserthearts.com. For the moment the links below will take you off this site to our sister site Desert Hearts. You may encounter a “This connection is not private” alert, but click through if you wish.


NU:N: “We’re not just a dark rock band, we’re a dark humorous one too”

February 10, 2023


Talk to Her: making waves in the Italian goth scene

February 9, 2023


Last Dusk put a shine on Costa Rica’s goth golden age

February 5, 2023


Carsten Frauendorf of Dark Skies over Witten festival: “Bringing old and new audiences together was the start of Dark Skies over Witten”

January 7, 2023


Sweet Ermengarde: a blast of fresh air from Germany’s rock underground

February 5, 2023


Sweet Ermengarde’s Drew Freeman: “There’s a moodiness, a broodiness about Sweet Ermengarde songs – it’s definitely dark”

August 1, 2022


Fiona & Alex Wetton of Alhambra Live and Corrosion: “We’re bringing goth music and festivals back to Morecambe”

August 4, 2022


Donna McLeod & Mike Murray of McGothicfox Promotions: “What Morecambe offers is a full gothic weekend that’s just about the music”

July 26, 2022


Joel Heyes of Byronic Sex & Exile and Goth City: “When you’re talking about concepts of death and love and war and revolution and passion and betrayal…”

July 28, 2022


Klammer’s Steve Whitfield: “At the niche festivals, it’s always more about the music”

July 10, 2022


Luxury Stranger’s Simon York: “There’s a bit of punk and glam made dark and chopped up in everybody”

July 16, 2022


The Faces of Sarah’s Nick Schultz & Emma Newby: “In Germany, if they like your band, genre becomes immaterial”

July 14, 2022


The Glass House Museum’s Joe Commings, Jon Cummings & Lee Meadows: “Get off your sofa and see one of your local bands”

July 8, 2022


Gothzilla’s Tim Jarvis: “Goth has had its hard knocks but it will always be there”

July 6, 2022